The father of Modern Electricity,
Nikola Tesla was not just that. A
century later the world is embracing this genius and what he understood is the
very basis of the universe, “Vibration”.
Interesting to note, this unique
minds relation with Vedic knowledge and his close interaction with none other
than Swami Vivekananda. It is after meeting Swamiji, that Tesla began using
terms like “Akasha” and the concept of luminiferous ether to describe the
source, existence and construction of matter. Tesla’s use of Vedic terminology
provides a key to understanding his scientific views of electromagnetism and the
nature of the universe. Thanks to Tesla today scientists world over accept the
universe is made up of energy. To know more about Tesla and his fantastic revelations
all you have to google is this series of numbers 3,6,9.
My reason to name the said
display of work this year 3,6,9 was not a random choice. I recognise that I am
also responding to the vibrations in and around me. My current vibrations had
me think and re think about these universal mathematical patterns. Patterns which
are pr- historic and are found in all pre-historic art, and in different parts
of the world, from different cultures and spaces and dating way back to any
formal way of religion. Yes, I am talking of the patterns we very often find embed
in nature. Be it the Fibonacci sequence of the spiral, or the formation of a Yantra.
A Yantra is the yogic machine of
a visual instrument that serves in meditation. It is the microcosm of the
universe and hence it is the body while Mantra in the mind. Through sound
vibration experiments, scientist have seen the formation of these Yantras. Atoms
and Molecules reverberate to these sounds and create certain shapes. The
universe has left its blueprint through the shapes it surrounds us in nature
and through the vibrations it engulfs us with. With the daily chaos of material
life, we have drowned these sounds and vibrations.
Recently I found myself very
intrigued to the mathematical, geometric patterns. Intrigued by the Yantra
world we inhabit, I started doing my own research and I am still working on it and
while I do so many other revelations keep coming my way. I have also been
deeply interested in the Kali Yantra as a concept. The term Kali comes from the
word Kaala. She is the female consort or the embodiment of all the Shiva stands
for, the universal model of change. Humans by nature are averse to change and
hence fear it. It’s this concept of fear that over centuries gave her a
physical fiery form and various iconography and mythological references along
with it. However, Kali is first and foremost a concept. She is best visualized
in the form of a Yantra, as change and the universe’s model of change should be
an abstraction of sorts. Its nature should be defined and hence should have the
clear angles and edges of a geometric pattern. As religions took shape and form
so did the concept and hence she became a female with dark powers of Tantra and
all kind of symbolism attached to her physical embodiment as Kali. While I do
not negate the cultural belief of this form and the gathering of communities to
celebrate the female prowess, I find myself inclining more to a shape I find
easy to meditate with. Hence it has been very satisfying to find her in various
geometric patterns, through various tools and techniques. Through my limited sensibilities,
I have tried to meditate upon the formless one through, the formations my mind
creates. It’s a journey I began and it shall continue for I remain a work in
progress. Meditation in Motion continues….3, 6, 9……